Confluences 9 sets the decolonial ball rolling at UCT School of Dance in July
The UCT School of Dance presents Confluences9: Deciphering decolonization in Dance Pedagogy in the 21st century from 11 – 14 July 2017. The Dance sector including academics, artists, dancers and choreographers will descend on Cape Town for this significant calendar occasion. The experience ushers in an intense period of reflection on calls for decolonialism that has reverberated across South African universities since 2015.
What does decolonialism mean for those who are engaged in Dance curriculum preparation, delivery and assessment? How does the subject of Dance Pedagogy meaningfully respond to the diverse opinions and paths already explored on this complex and charged topic? These are just some of the questions which the keynote speaker, Lliane Loots will address. Multiple award winner for her choreographic works, Loots is also seasoned Dance Lecturer: Drama and Performance Studies Programme at the University of KwaZulu-Natal (UKZN) , and current Artistic Director of Flatfoot Dance co. (in Durban).
Other delegates from as far afield as Brazil, India, Peru , Zimbabwe and Canada have expressed their enthusiasm and interest to enter into this important dialogue. Their insights will be presented in a variety of performative formats including papers , workshops and performances. VIPguests include Dr Anita Ratnam, Chennai based dancer, choreographer, director of Arangham and the portal www.narthaki.com Renown for her fearless philanthropy Ratnam is the most recent recipient of the prestigious Presidential award for Contemporary dance in 2016 in India. Director of UCT School of Dance and Chair of Confluences 2017, Dr Gerard M. Samuel noted, “We are delighted to present extracts from Dr. Anita’s iconic A Million Sitas and to have her make the subject of global dance languages as a response to decolonial debates accessible. Contemporary Indian dance is so much more than Bollywood”.
Confluences offers six workshops ranging from explorations of codification in African dance, mpantsula to Flamenco; applications of Contact Improvisation for high school learners, to new directions for contemporary dance in Africa. Delegates can expect innovative presentation formats including videolinks, films and an art exhibition, Dancing Alabaster . This features the work of celebrated Danish artist, Søs Brysch and an accompanying collection of poems written by Samuel following their earlier cultural exchange based in disability arts.
Registration fees can be pre-paid by contacting Angie Pearson on 021 650 2399/8 or email email@example.com and differ for international and local delegates. The Full conference fee for local delegates which includes attendance at all papers, workshops, panel discussions and one ticket for each night’s performance is R850 per person. Local students (on proof of valid student ID) pay R210. The Daily rate fees for local delegates cost R290 , and for students is R90. Tickets for each performance at School of Dance are R50, and R30 for students. Audiences are encouraged to pre-book their tickets as seats are limited. Complimentary teas and coffees are included. Conference proceedings are available on CD Rom and are included in fees for all delegates paying the full conference fee.
The Confluences 9 collection of papers can be found here.
Contact usCentre for Theatre, Dance & Performance Studies University of Cape Town Private Bag X3 7701 Rondeboschctdps@uct.ac.za